This is “Foreword”, article 4 from the book Music Theory (v. 1.0). For details on it (including licensing), click here.

For more information on the source of this book, or why it is available for free, please see the project's home page. You can browse or download additional books there. You may also download a PDF copy of this book (12 MB) or just this chapter (34 KB), suitable for printing or most e-readers, or a .zip file containing this book's HTML files (for use in a web browser offline).

Has this book helped you? Consider passing it on:
Creative Commons supports free culture from music to education. Their licenses helped make this book available to you.
DonorsChoose.org helps people like you help teachers fund their classroom projects, from art supplies to books to calculators.

Foreword

This text is primarily designed to serve as a textbook for a college-level music theory fundamentals course. However, it also has the flexibility to serve equally well for a typical core curriculum college-level Music Theory I or Harmony I course.

Our goal is to deliver sufficient information to enable the student to be able to evaluate and analyze select music from the literature as quickly as is practical. Secondly, we seek to provide sufficient instruction to enable a student to begin writing music as quickly as is practical.

In order to develop a complete argument, it is important that the student understand that this text “assumes a blank slate.” No prior knowledge on the part of the student is assumed.

In order to give Instructors greater flexibility we have intentionally provided content that may exceed the course objectives in some institutions. We anticipate that instructors may want to adjust the material in the text to match their current course content, or adjust their courses to make use of all of the content in this text.