This is “Medieval Drama”, section 1.3 from the book An Introduction to British Literature (v. 0.0).
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The long-held scholarly account of medieval drama asserts that the religious drama of the Middle Ages grew from the Church’s services, masses conducted in Latin before a crowd of peasants who undoubtedly did not understand what they were hearing. This idea certainly fits with the concept of church architecture in its cruciform shape to picture the cross, its stained glass windows to portray biblical stories, and other features designed to convey meaning to an illiterate population. Many scholars suggest that on special days in the liturgical year, the clergy would act out an event from the Bible, such as a nativity scene or a reenactment of the resurrection. Gradually, these productions became more complex and moved outside to the churchyard and then into the village commons.
Other scholars, however, suggest a different origin of medieval drama, claiming that it grew parallel to but outside of Church services which continued with their dramatic features as part of the mass.
A pageant wagon in Chester, England.
From Book of Days by Robert Chamber
Mystery plays depict events from the Bible. Often mystery plays were performed as cycle playsa sequence of plays portraying all the major events of the Bible, from the fall of Satan to the last judgment, a sequence of plays portraying all the major events of the Bible, from the fall of Satan to the last judgment. Some play cycles were performed by guilds, each guild taking one event to dramatize. One of the most famous of the play cycles, the York mystery plays, is still performed in the English city of York. Records from the Chester cycle, also still performed, list which guilds were involved and which plays each guild presented. In a few places, such as York, the cycles were performed on pageant wagons that moved on a pre-determined route through the city. By staying in the same place, the audience could see each individual play as the wagon stopped and the actors performed before moving on to perform again at the next station. Four English cities were particularly noted for their cycles of mystery plays: Chester, York, Coventry, and Towneley (referred to as the Wakefield plays). Dennis G. Jerz, Associate Professor of English at Seton Hall University, created a simulation of the path of the pageant wagons through York, showing the route and the order of the plays.
One of the most well-known of the mystery plays is The Second Shepherds’ Play, part of the Wakefield cycle. The play blends comic action, serious social commentary, and the religious story of the angelic announcement of Christ’s birth to shepherds. At the beginning of the play, three shepherds complain of the injustices of their lives on the lowest rung of the medieval social ladder. When another peasant steals one of their lambs, the thief and his wife try to hide the animal by disguising it as their infant son; thus, an identification of a new-born son with the symbolic lamb foreshadows the biblical story. At the end of the play, the religious message becomes clear when angels announce the birth of Christ.
The text of The Second Shepherds’ Play is available on the following sites:
Morality plays are intended to teach a moral lesson. These plays often employ allegorythe use of characters or events in a literary work to represent abstract ideas or concepts, the use of characters or events in a literary work to represent abstract ideas or concepts. Morality plays, particularly those that are allegorical, depict representative characters in moral dilemmas with both the good and the evil parts of their character struggling for dominance. Similar to mystery plays, morality plays did not act out events from the Bible but instead portrayed characters much like the members of the audience who watched the play. From the characters’ difficulties, the audience could learn the moral lessons the Church wished to instill in its followers.
First page of medieval print version of Everyman.
One of the most well known of extant morality plays is Everyman. In this morality play, God sends Death to tell Everyman that his time on earth has come to an end.
The text of Everyman is available on the following sites: